Tantra, Jain and Hindu Ritual art from India
Tantra, a term known in the West for its associations with sex, magic and esoteric mysticism, has had an impact on many religions and philosophies, including Buddhism, Hinduism, Taoism, Jainism, Vajrayana, Bönpo, Ayurveda and Shamanism.
Alongside related ideas of ‘mantra’ (knowledge through sound) and ‘yantra’ (the means to leading a Tantric existence), the philosophy of Tantra claims that reality (prakriti) is pure consciousness, pure being, pure bliss – a reality that is, however, veiled by illusion (maya). Through purification, elevation and reaffirmation of identity, Tantra aims to help us return to this unadulterated state of being.
In this book, art collector and dealer Joost van den Berg explains his fascination with Tantra imagery began with a chance discovery of the catalogue for the Tantra exhibition (1971) at the Hayward Gallery in London. It also features specially commissioned writings by scholars including modern art critic and curator Mel Gooding.
Perfect Presence is Berg’s third publication on this subject. It contains many examples of Tantric art from the 18th and 19th centuries alongside the work of contemporary artists such as Shezad Dawood and Ruth Marten who are inspired by this mystic art.
Published on the occasion of the exhibition, Perfect Presence: Tantra, Jain & Hindu ritual art from India at The Redfern Gallery, London (31 October – 8 November 2019), and in association with Asian Art in London 2019.
Artists include Shezad Dawood, Nicola Durvasula, Fergus Feehily, Alexander Gorlizki, Ruth Marten, Profulla Mohanti, Kalu Ram, Sayed Haider Raza Vaykul and Acharya Vyakul
Texts by William Dalrymple, Nicola Durvasula, Mel Gooding, Jim Masselos, Zoë Slatoff and Virginia Whiles